"We are proud to be partnering on such fantastic initiatives." Rebecca Lichtenfeld, Bertha Philanthropies
"Experts in collaboration, innovation and rapid prototyping." Cara Mertes, Ford Foundation
"BRITDOC are at the forefront of international documentary development. From Ping Pong to Virunga they have pioneered new ways of engaging with audiences" Patrick Holland, BBC
Doc Society,
50 Frith St,
London, W1D 4SQ
Doc Society,
20 Jay Street, Suite 1008,
Brooklyn, NY 11201
Aisha Younis
Production Co-ordinator
aisha@docsociety.org
Aisha is the Production Co-ordinator at Doc Society where she assists in organising Doc Society events and supports the team in collating research and case studies. Before joining Doc Society, Aisha studied BA Politics and International Relations at the University of Westminster where her dissertation on Edward Snowden steered her interest towards Laura Poitras’ Citizen Four film. As a result, Aisha developed her interest in the non-profit sector and work that influences social change. She recently worked across multiple media platforms as a Researcher producing factual content at Sky News, BBC2 and Fremantle Media. In her spare time, Aisha is researching for an upcoming feature length documentary.
Beadie Finzi
Foundation Director
beadie@docsociety.org
Having worked in documentary for the past 20 years, Beadie is in heaven in her role at Doc Society – befriending independent filmmakers globally, funding great films, brokering new partnerships and sharing knowledge.
In addition to executive producing a number of films, Beadie is responsible for the global Good Pitch programme and helping develop tools for the field such as the Impact Field Guide and the Doc Impact Award.
Beadie is also an experienced filmmaker. Titles include Only When I Dance, released theatrically in the UK and US. She produced Unknown White Male in 2005, which played at Sundance Film Festival and was Oscar shortlisted.
Fiona Fletcher
Events Producer
Fiona Fletcher jumps on board as Events Producer, bringing her wide-ranging experience to help deliver Doc Society events: from impact screenings and talks, to national outreach and kickass parties. Fiona joins Doc Society from previous management roles at the BFI London and Flare London LGBT Film Festivals, overseeing Hospitality events. She produced the much-missed Branchage Film Festival in Jersey, has a background as a project manager for Lighthouse, Soda pictures and Shooting People and on game-changing, diversity focused film training programmes cultivated by Birds Eye View.
Hazel Falck
Doc Academy Coordinator
hazel@docsociety.org
Isabel Shapiro
Good Pitch Producer
isabel@docsociety.org
As Good Pitch Producer Isabel plans and delivers Doc Society's flagship Good Pitch events in Europe and the US. She also works across the Good Pitch2 Global Program, supporting current and potential Good Pitch2 teams.
Before joining the foundation Isabel worked at the British Film Institute, the London Film Festival and as a researcher for documentary company GA&A Productions in Rome. Isabel completed her Masters at Cambridge University in 2012 with a thesis on performance and ethics in contemporary British documentary.
Jessica Edwards
Director of Impact & Partnerships
jessica@docsociety.org
After many years as a collaborator, we are thrilled that Jessica Edwards is finally joining us full time in the London office as Director of Impact & Partnerships. With expertise bringing the worlds of creative media and non-profits, she has deep experience of working with film impact as a strategist on films such as ‘Unrest’ (premiering at Sundance 2017) and 'He Named Me Malala’, an extensive background as a documentary and factual television producer as well as having lead a number of high-profile projects with prominent NGOs.
Jess Search
Chief Executive
jess@docsociety.org
Jess is the Chief Executive of Doc Society. Before that, she was a Commissioning Editor at Channel 4 and a founder of Shooting People, the online filmmakers network. She is also a board member of the UK think tank IPPR and has an MBA from Cass Business School. Jess likes to moderate for IDFA, the Skoll World Forum, the Trust Women conference and Doc Society’s Good Pitch.
Jo Harding
Doc Academy Manager
jo@docsociety.org
As Doc Academy’s Manager Jo leads our Education programme, from shaping it’s strategic development to co-creating new curriculum & film content. Jo is passionate about long-term social change through education.
Jo joined Doc Society in 2015 with over 10 years experience of delivering schools and youth programmes and campaigns. Working in West Africa for Raleigh International, in east and south London’s most deprived schools delivering The Prince’s Trust’s schools based programme and over 6 years at Comic Relief project managing the delivery of their schools and youth campaigns and leading the partnership strategy for those audiences.
Karen Fairholm
Financial Controller
karen@docsociety.org
Karen oversees the day-to-day activities of Doc Society’s financial affairs, ensuring that Doc Society’s four companies are organised, efficient and produce accurate financials.
Having been part of the finance world for 10 years, Karen took a year to travel, returning determined to fulfill a dream of working with filmmakers. And then along came Doc Society.
Laura Husti-Radulet
Grants Manager
Laura Husti-Radulet joins us as our new Grants Officer. Before joining Doc Society, Laura worked with the Media Legal Defence Initiative (UK), the Soros Foundation in Romania, and other non-profit organisations in the UK and Romania encompassing grant-making, project management and communications work.
Lisa Marie Russo
BFI Doc Society Fund Executive
lisamarie@docsociety.org
Lisa Marie’s production credits include Ken Loach’s The Spirit of ’45, Terence Davies’ Of Time And The City, Gillian Wearing’s Self Made and Andrew Kotting’s Swandown. In 2009, she launched a production company Fly Film with Kate Ogborn. Since 2015, her company has executive produced 72 short films by young people for Screen South Ignition Random Acts Network, supported by Arts Council England and Channel 4.
Lynn Nwokorie
BFI Doc Society Fund Officer
lynn@docsociety.org
Starting out in production for feature film, commercials and museum projects in both the US and UK, Lynn has since worked across exhibition and distribution for various national festivals and organisations including the BFI London Film Festival, Sheffield Doc/Fest, the British Film Institute and the Independent Cinema Office. The last three years has seen a focus on cultural programming and increased access of independent film to national audiences, with now a concerted focus on cultivating socially impactful documentary filmmaking at the London and New York-based BRITDOC Foundation. With a new appointment as BFI Film Fund Officer, Lynn will now focus on developing and supporting UK documentary filmmakers as well as continuing programming for festivals and special events.
Nicole van Schaik
Director of Development
nicole@docsociety.org
Nicole strategises with filmmakers and impact producers on how they can use their films as a strategic tool for social or environmental change. She also brokers new and exciting partnerships with organisations from across civil society, including: foundations, philanthropists, NGOs, brands, policymakers, activists, technology innovators, and media for the global Good Pitch programme, and Doc Society as a whole. She is proud to be part of the 2017 Rockwood JustFilms Fellowship. Before joining the foundation, Nicole worked as a television journalist for broadcasters, including RTL News and Al Jazeera. She finished her MA in International Journalism in Cardiff in 2008, and has previously lived in The Netherlands, USA, South Africa, and Wales.
Oliver Rivers
Managing Director
oliver@docsociety.org
Oliver is Doc Society’s Managing Director. He is a trustee of three charities: Poetry London, the Legal Action Group, and the Britten Pears Foundation. He has an MBA from London Business School, but he did his first degree at the Royal College of Music, and music remains one of his great passions. In his not very extensive spare time he can usually be found at the Wigmore Hall.
Sandra Whipham
Foundation Director
sandra@docsociety.org
Sandra, who joined Doc Society as its fourth Director in January 2012, exec produces films across the slate and leads on the Bertha Doc Society Connect Fund. She also oversees Doc Academy.
Previously, Sandra was a producer through her own company where she produced and executive produced a range of documentary film and television including multi award-winning Enemies of the People (dir. Thet Sambath/Rob Lemkin). From 2007-9 Sandra was Editor at More 4, and commissioned the True Stories international documentary strand.
Jaad Asante
Project Coordinator
jaad@docsociety.org
Jaad Asante is joining the team as a Project Coordinator and will be focused on Doc Society’s new program Good Pitch Local, supporting the US team in the planning and delivery of local editions across the states as it roll out in 2018.
She is a lover of all things non-fiction and enjoys working alongside exceptional storytellers. She recently completed her MFA at Temple University’s Film and Media Arts program and her thesis film, How They Sway, premiered this summer at BlackStar Film Festival.
Marjon Javadi
Film & Partnerships Executive
marjon@docsociety.org
Marjon Javadi joined us right at the end of December and we couldn’t be more excited to welcome her to the New York office. She brings a wealth of experience from her background in production, development and acquisitions. Following her tenure with the documentary team at Netflix Originals, Marjon worked as an independent producer as well as a consultant for IFP and Animal Kingdom Films. She previously worked in development for producer Scott Rudin, in film finance and sales at Creative Artists Agency, and for directors Morgan Spurlock and Ross Kauffman.
Maxyne Franklin
Foundation Director
maxyne@docsociety.org
Maxyne is one of the founding Directors of Doc Society and shares responsibility for overseeing the film funding programmes. She also sits on the selection committee for the Good Pitch events and oversees the annual DOC Impact Awards; celebrating the films that have made the greatest impact on society.
For Doc Society, Maxyne has been lucky enough to executive produce a number of award-winning films including Virunga, All These Sleepless Nights, Hooligan Sparrow, The Possibilities are Endless, The Square, Pussy Riot, Hell & Back Again, Ping Pong and Afghan Star.
As of 2015 Maxyne relocated to New York to head up the US office, BRITDOC Inc. Since there she has been deepening relationships with partners and working with our talented collective of US based filmmakers.
Patricia Finneran
Good Pitch Local Producer
Patricia is founder of Story Matters; working at the intersection of storytelling and social change. It creates collaborative and viable projects with funders, corporations, nonprofits and filmmakers that advance positive social impact. Clients include Kering, Hot Docs, Harmony Institute and campaigns for Bully, How To Survive A Plague, The Revolutionary Optimists and strategy for the media platform Map Your World. She has previously held senior positions at Sundance Institute Documentary Film Program, AFI as Director of SILVERDOCS, and IFP New York. She works with BRITDOC in support of Good Pitch to serve filmmakers and improve opportunities for the documentary community.
Sara Rafsky
Safe + Secure Executive
sara@docsociety.org
Sara is a researcher at the MIT Open Documentary Lab, where she writes about new forms of documentary storytelling, and an MS candidate in Comparative Media Studies at MIT. Sara was previously a Google News Lab Fellow at Witness in New York and the Researcher on Central America at Amnesty International in Mexico City. Prior to that she was the Americas Research Associate for the Committee to Protect Journalists, where she reported on press freedom and human rights issues in the US and Latin America. Sara has written about culture and politics as a freelance journalist in New York, South America and Southeast Asia. In 2008, she received a Fulbright Grant to research photojournalism and the Colombian armed conflict. She has served as a screener for documentary film festivals and has written widely about documentary film. She has a bachelor’s degree from Georgetown University and is from Brooklyn, New York.
Shannon Thomas
Office Manager
shannon@docsociety.org
Shannon Thomas is the Jay Street office manager. Before Doc Society, Shannon worked with the Brooklyn Arts Council, KentPresents Ideas Festival, and the Fisher Center for the Performing Arts. She is a graduate of Bard College and holds a Masters in Arts Administration & Cultural Policy from Goldsmiths.
For over 20 years, Bruni has worked at the intersection of arts and culture and human rights as a festival director and curator, a media educator, creative producer and social media strategist. She is currently a Senior Consultant for Sundance Institute’s Documentary Film Program, expanding and deepening its international engagement. She is a mentor and partner with the Greenhouse Documentary Initiative for MENA filmmakers, a consultant with Chiledoc and a senior program advisor for the Middle East Festival Now. From 1991 to 2008 Bruni was the director of the Human Rights Watch Film Festival. . Bruni is the co-writer and associate producer of Beyond My Grandfather Allende, which won best documentary at the 2015 Cannes Film Festival.
Dasha Lisitsina
Podcast Producer
dasha@docsociety.org
Dasha Lisitsina is a radio producer and journalist currently working on a climate change podcast for Doc Society. Previously, she worked at On the Media, NPR, in New York. She has also freelanced for the The Guardian, Latino USA and the BBC World Service Arts Hour.
James Franklin
Creative Director
james@docsociety.org
James looks after design at Doc Society as well as the websites for all the Doc Society brands and programmes, starting with the first website back in 2006. With 20 years experience in design and the web, James previously ran a design agency in London for 7 years. Currently he is also founder of the web-based film-marketing system Assemble.me and has produced the design behind many of Doc Society’s films.
Katie Speight
Editorial Consultant
katie@docsociety.org
Katie has been working for Doc Society as an Editorial Consultant for the past 9 years across the various film funds. Previously, Katie had been working at Channel 4, where in 2004 she became Deputy Commissioning Editor Documentaries working on features such as Sisters In Law and Aileen Wuornos and Hamburg Cell, as well as high profile series such as The Last Peasants and Jamie's School Dinners. Katie was also responsible for acquiring the very best of international feature documentaries.
In 2005 Katie moved to More4 as part of the launch team for Channel 4's upmarket sister channel, becoming Commissioning Editor for More4. As well as helping to shape the schedule and the channel’s overall editorial development she re-launched the critically acclaimed True Stories strand - showcasing the best of domestic and international feature documentaries.
Lindsay Guetschow
Doc Academy Consultant
lindsay@docsociety.org
Lindsay Guetschow is an established Impact Producer with over 13 years of experience building campaigns that drive meaningful and measurable change. Most recently, she served as Film Campaign Director at Malala Fund where she developed the strategy and ran the global Stand #withMalala campaign using He Named Me Malala to advance the movement for girls’ secondary education. Engaging over 1.3 million young people in screenings and campaign programs around the world, Stand #withMalala has helped shift policy in Nigeria and Pakistan, raised over $3M to support Malala Fund programs in developing countries and trained close to 1000 girls in advocacy and leadership in Pakistan, Afghanistan, Nigeria, India and Kenya.
She previously served as Sr. Director, Marketing and Strategic Alliances at Participant Media where she established partnerships with hundreds of nonprofits, foundations, and good corporate citizens to support impact campaigns. Lindsay has worked as a Social Impact Agent at Propper Daley, launched the Cool Globes public art exhibit in Los Angeles and helped build the Stop Global Warming Virtual March with Senator John McCain, Robert F. Kennedy Jr. and Producer Laurie David. During her tenure at StopGlobalWarming.org, Lindsay did outreach and engagement for the impact campaign supporting An Inconvenient Truth.
Mike Lindsay
Artistic Director for Live Events
mike@swooshed.co.uk
Mike and his team from Swooshed Event Production have been working with us since our first ever Britdoc event back in 2006. His event knowledge, experience and creative theatre background combines to help us produce our quality events all over the world looking after all the staging, technical and audio visual aspects of the show.
Prash Naik
Doc Society Legal Counsel
Many of the Doc Society team were lucky enough to work with Prash Naik at Channel 4 and we are over the moon to be reunited in the defence of brave and bold independent storytellers. Prash is the outgoing General Counsel at Channel 4, where over 23 years he built an impressive reputation for defending free speech, making every storm seem like it was only in a tea cup and sporting an array of very well chosen cashmere sweaters. Congrats to him for winning In-House Lawyer of the Year at the prestigious Lawyer Awards earlier this year. Prash is relocating to Sydney, Australia in October but will continue to advise film-makers across both sides of the world. We beat a very fast path to his door, and are delighted to have secured a slice of his time to be our General Counsel and advise us on our film slate and also the Safe and Secure project, aimed at lowering the legal, physical, psychological and reputational risks taken by independent filmmakers.
Sandi DuBowski
Outreach Director
Sandi has been the Outreach Director for Good Pitch North America since 2009. He is also a busy filmmaker; the Director/Producer of Trembling Before G-d, Producer of A Jihad for Love, and Co-producer of Budrus. His award-winning work has screened at Sundance, Berlin, Toronto and 200+ festivals, has aired on BBC, PBS, ZDF-Arte, and been funded by 60+ foundations. Sandi turns movies into movements and launched filmsthatchangetheworld.com to engage people through global events. He is directing a new Sundance-funded film about Amichai Lau-Lavie, a 21st century spiritual innovator for our skeptical, secular, digital generation.
Stu Tily
Technical Director
stu@docsociety.org
Originally from London and now based in Olomouc in the Czech Republic.
Stu looks after the technology for all of Doc Society’s websites.
John is a Fellow of London Business School where he has been teaching and developing courses since 1985, whilst starting up and running two technology businesses, a consultancy and a venture capital company.
Mark Cridge
Non-executive Board Member
Mark Cridge is Chief Executive of mySociety, a UK based social enterprise, who build and popularise digital services that help citizens hold power to account. mySociety's services are used by over 10 million people in 40 countries worldwide including the popular UK sites FixMyStreet.com, TheyWorkForYou.com and WhatDoTheyKnow.com.
Prior to mySociety, Mark enjoyed a diverse 20-year digital career including stints as COO at BERG, the Internet of Things design consultancy, and as a senior advisor at political campaigners Blue State Digital in London.
Originally studying Architecture at Strathclyde University, he got his commercial start in 1996 working for a small web design agency in Birmingham before setting up glue London, the UK's first digital advertising agency in 1999, going on to become global managing director of Isobar, following glue’s acquisition in 2005.
Rob Berkeley
Non-executive Board Member
Award-winning busybody, recovering academic and reformed social reformer, Rob currently plies his trade advising the BBC on accountability. Impatient with injustice and exasperated by wasted potential, he volunteers on the boards of Baring Foundation, and Britdoc Foundation, has previously served on the boards of Stonewall, Equality and Diversity Forum and the Oxford Access Scheme, and been Chair of Naz Project (NPL) and BGMAG. He was Director of the Runnymede Trust 2009-14, and now leads the editorial team of community journalism platform, BlackoutUK.com. Alongside his academic writing on education, social justice and community organizing, he has presented and co-produced short form documentaries, and written for The Guardian and The Independent on racial justice. His current obsession with innovations in media technology and their potential for progressive change means that he watches a lot of TV/film and calls it ‘research’. Dr Berkeley was awarded an MBE in 2015 for services to equality.
Tony Tabatznik
Non-executive Board Member
Tony is an entrepreneur and committed philanthropist. He is a member of BRITDOC and is the visionary behind Bertha Foundation whose mission is to create more progressive and just societies with work in three main areas: Media, Human Rights Law and Activist Training.
Angela Seay
Chair of the Board
As chair of the BRITDOC Charitable Trust, Angela brings years of experience in nonprofits in Europe and North America, with a focus on grant-making institutions and policy NGOs. She also worked in policy development, strategic planning and legislation in the US Federal Government.
In May 2016 Stephan Chambers took up the post of inaugural director of the Marshall Institute at the London School of Economics and Political Science. Stephan is the co-founder of the Skoll World Forum and prior to Marshall was chair of the Skoll Centre for Social Entrepreneurship, Director of International Strategy at Oxford’s Saїd Business School, and Senior Research Fellow at Lincoln College Oxford. Currently He sits on the advisory board of Princeton University Press and is a director of the Dartington Trust, the University of the People, and the Dragon School. He wrote a regular Entrepreneurship column for the Financial Times. In 2014 he was special advisor to Larry Brilliant and Jeff Skoll at the Skoll Global Threats Fund in California. He teaches entrepreneurship, social entrepreneurship, venture capital, and entrepreneurial finance.
William is an entrepreneur and philanthropist with a distinguished record of support for the arts and literature. In 1992, he founded the Forward Prizes for Poetry and in 1994, National Poetry Day. Since September 2015, he has been chairman of the Board of Trustees at Somerset House.For many years he was a member of the Arts Council and Chairman of its Lottery Committee. He is currently Chairman of the Arts Foundation and StreetSmart, a charity supporting the homeless through donations from restaurant diners each Christmas. William is the founder and Chairman of Forward Thinking and a trustee of the Esmee Fairbairn Foundation. William is a published author and a regular broadcaster. His most recent book is Winning Words, an inspirational poetry anthology published by Faber and Faber.
William chaired and authored ‘An Independent Review of E-Lending in Public Libraries in England’ published by Department of Culture, Media and Sport, 2013 and was subsequently commissioned to report on Public Library services in England. The ‘Independent Library report for England’ was published by DCMS in Dec 2014.
Alex Grashow
Chair of Inc. Board
Alexander (Zander) Grashow has made it his mission to build
evolutionary capacity. He has put in the work and shares the lessons
learned in leadership development, personal development and business
evolution.
He is a renowned facilitator, speaker and counselor to leaders around
the world, with a broad reach into the global business,
philanthropic,entrepreneurial and creative communities. Zander has
been a confidential advisor to presidents, activists and change agents
in their most critical moments of transition.
With a deep commitment to share what works, Zander co-authored “The
Practice of Adaptive Leadership” with Ron Heifetz & Marty Linsky from
Harvard Business School Press and “Leadership in Permanent Crisis” of
the Harvard Business Review.
Zander founded Good Wolf Group as the next evolution in leadership,
business and personal development practice. He performs his work with
a mix of logic, creativity, truth and grace.
Anurima Bhargava is a Fellow at the Institute of Politics at Harvard University. From 2010-2016, she served as the Chief of the Educational Opportunities Section of the Civil Rights Division at the U.S. Department of Justice. She led the Division’s efforts to provide equal educational opportunities for all students by enforcing federal statutes that prohibit discrimination on the basis of race, national origin, sex, language status, religion and disability in schools and institutions of higher education. Through litigation, guidance and policy, the Division addresses a broad range of issues, including school segregation; school discipline and the school to prison pipeline; harassment and bullying; sexual assault; and protecting educational access and services for English Learner, LGBTQ and undocumented students. She has served on numerous task forces and working groups, including the White House Task Force to Prevent Campus Sexual Assault and the Supportive School Discipline Initiative.
Prior to joining the DOJ in 2010, Ms. Bhargava served as the Director of the Education Practice at the NAACP Legal Defense Fund, where she was actively engaged in litigation and advocacy to expand educational access and opportunities for students of color. She previously worked at the New York City Department of Education and clerked in the Southern District of New York.
Ms. Bhargava earned her law degree from Columbia Law School and graduated magna cum laude from Harvard College. She is a member of the Council on Foreign Relations; a Truman National Security Fellow; produced and regularly consults on films; and has both chaired and served on numerous boards. She was born and raised on the south side of Chicago.
Twiggy Pucci Garcon
Board Member
As an activist, advocate, and healer, Twiggy has collaborated with artists, filmmakers, academics and policymakers to increase visibility of both creative and sociopolitical agendas. In his current role as Associate Program Director at the True Colors Fund, Twiggy leads their Youth Collaboration programs, aimed at not only elevating youth voices but also creating space for partnerships with young adults to lead the movement to end youth homelessness. Twiggy co-wrote one of seven subjects in the Sundance-selected, award-winning documentary, KIKI, which paints an intimate portrait of the underground kiki ballroom community in NYC, and continues to elevate the authentic representation of the House|Ballroom Community worldwide.
Vincent Warren is the Executive Director of the Center for Constitutional Rights. He oversees CCR's groundbreaking litigation and advocacy work, which includes using international and domestic law to hold corporations and government officials accountable for human rights abuses; challenging racial, gender and LGBT injustice; and combating the illegal expansion of U.S. presidential power and policies such as illegal detention at Guantanamo, rendition, and torture. Prior to his tenure at CCR, Vince was a national senior staff attorney with the American Civil Liberties Union, where he litigated civil rights cases, focusing on affirmative action, racial profiling, and criminal justice reform. Vince was also involved in monitoring South Africa's historic Truth and Reconciliation Commission hearings, and worked as a criminal defense attorney for the Legal Aid Society in Brooklyn. He is a graduate of Haverford College and Rutgers School of Law.
We are free to choose who we work with and how we do it. This independence means we always uphold creative, journalistic and personal integrity.
We don’t interfere with the creative process, we support it. We are the friend of the filmmaker and the film always comes first.
We have seen the greatest impact through collaboration. As such, we share what we learn and create best practice with our partners.
We are consciously and constantly evolving – because tomorrow needs new ideas. For us, problems are an opportunity for change.
We take documentaries seriously, but not ourselves.
We love what we do and we want to work with people who feel the same way.
