"We are proud to be partnering on such fantastic initiatives." Rebecca Lichtenfeld, Bertha Philanthropies
"Experts in collaboration, innovation and rapid prototyping." Cara Mertes, Ford Foundation
"BRITDOC are at the forefront of international documentary development. From Ping Pong to Virunga they have pioneered new ways of engaging with audiences" Patrick Holland, BBC
Doc Society,
50 Frith St,
London, W1D 4SQ
Doc Society,
20 Jay Street, Suite 1008,
Brooklyn, NY 11201
Aisha Younis
Production Co-ordinator
aisha@docsociety.org
Aisha is the Production Co-ordinator at Doc Society where she assists in organising Doc Society events and supports the team in collating research and case studies. Before joining Doc Society, Aisha studied BA Politics and International Relations at the University of Westminster where her dissertation on Edward Snowden steered her interest towards Laura Poitras’ Citizen Four film. As a result, Aisha developed her interest in the non-profit sector and work that influences social change. She recently worked across multiple media platforms as a Researcher producing factual content at Sky News, BBC2 and Fremantle Media. In her spare time, Aisha is researching for an upcoming feature length documentary.
Beadie Finzi
Foundation Director
beadie@docsociety.org
Having worked in documentary for the past 20 years, Beadie is in heaven in her role at Doc Society – befriending independent filmmakers globally, funding great films, brokering new partnerships and sharing knowledge.
In addition to executive producing a number of films, Beadie is responsible for the global Good Pitch programme and helping develop tools for the field such as the Impact Field Guide and the Doc Impact Award.
Beadie is also an experienced filmmaker. Titles include Only When I Dance, released theatrically in the UK and US. She produced Unknown White Male in 2005, which played at Sundance Film Festival and was Oscar shortlisted.
Christine Howard
Business Affairs Executive
Prior to joining Doc Society as the Business Affairs Executive for the BFI Doc Society Fund, Christine freelanced for several independent producers (such as Lupus Films), international sales agents (such as The Works, Celluloid Dreams (Paris-based)) and distributors. Prior to freelancing, Christine headed the business/legal affairs department for independent producers such as Scala Productions with Nik Powell and sales companies such as Myriad Pictures Ltd. Not only has she successfully negotiated and concluded all forms of development, production and distribution transactions on numerous films and television programmes, she has closed the financial transactions on at least twenty films since being in the UK. Prior to immigrating to the UK, Christine worked in Paris at Quinta Communications as its associate director for co-productions and finance and for American Playhouse Abroad. After graduating with a BA in Communications Studies, she started her career as a production coordinator for several live television sporting events in Las Vegas before moving to Los Angeles where she attended law school.
Fiona Fletcher
Events Producer
Fiona Fletcher jumps on board as Events Producer, bringing her wide-ranging experience to help deliver Doc Society events: from impact screenings and talks, to national outreach and kickass parties. Fiona joins Doc Society from previous management roles at the BFI London and Flare London LGBT Film Festivals, overseeing Hospitality events. She produced the much-missed Branchage Film Festival in Jersey, has a background as a project manager for Lighthouse, Soda pictures and Shooting People and on game-changing, diversity focused film training programmes cultivated by Birds Eye View.
Hannah Bush Bailey
BFI Doc Society Fund Production Manager
hannah@docsociety.org
Hannah Bush Bailey is the production manager for the BFI Doc Society fund. She works across the funds feature slate and Made of Truth Short Scheme supporting filmmakers both in production and editorially. Prior to this role she worked as a short form producer creating work for companies such as Universal, Disney and Channel 4's Random Acts. Her experience also spans a number of feature docs and high-end television series. Hannah has previously been involved in BFI Network X BAFTA Crew, BAFTA'S Guru Pro training scheme and Film London's Microwave Feature Film Development Scheme. Her short films have screened internationally including at Raindance Festival, BFI Future Film Festival and London Short Film Festival.
Isabel Shapiro
Good Pitch Producer
isabel@docsociety.org
As Good Pitch Producer Isabel plans and delivers Doc Society's flagship Good Pitch events in Europe and the US. She also works across the Good Pitch2 Global Program, supporting current and potential Good Pitch2 teams.
Before joining the foundation Isabel worked at the British Film Institute, the London Film Festival and as a researcher for documentary company GA&A Productions in Rome. Isabel completed her Masters at Cambridge University in 2012 with a thesis on performance and ethics in contemporary British documentary.
Jessica Edwards
Director of Impact & Partnerships
jessica@docsociety.org
With expertise bridging the worlds of creative media and non-profits, Jessica leads Doc Society's strategic partnerships and projects. Previously, she was an impact strategist on films such as Unrest, He Named Me Malala and Ida's Diary. She also has extensive experience working as a documentary and factual television producer/ director and subsequently, as an impact consultant, leading a number of high-profile projects with prominent NGOs. She is a qualified yoga teacher.
Jess Search
Chief Executive
jess@docsociety.org
Jess is the Chief Executive of Doc Society. Before that, she was a Commissioning Editor at Channel 4 and a founder of Shooting People, the online filmmakers network. She is also a board member of the UK think tank IPPR and has an MBA from Cass Business School. Jess likes to moderate for IDFA, the Skoll World Forum, the Trust Women conference and Doc Society’s Good Pitch.
Karen Fairholm
Financial Controller (maternity leave)
karen@docsociety.org
Karen oversees the day-to-day activities of Doc Society’s financial affairs, ensuring that Doc Society’s four companies are organised, efficient and produce accurate financials.
Having been part of the finance world for 10 years, Karen took a year to travel, returning determined to fulfill a dream of working with filmmakers. And then along came Doc Society.
Laura Husti-Radulet
Grants Manager
Laura Husti-Radulet joins us as our new Grants Manager. Before joining Doc Society, Laura worked with the Media Legal Defence Initiative (UK), the Soros Foundation in Romania, and other non-profit organisations in the UK and Romania encompassing grant-making, project management and communications work.
Lisa Marie Russo
BFI Doc Society Fund Executive
lisamarie@docsociety.org
Lisa Marie’s production credits include Ken Loach’s The Spirit of ’45, Terence Davies’ Of Time And The City, Gillian Wearing’s Self Made and Andrew Kotting’s Swandown. In 2009, she launched a production company Fly Film with Kate Ogborn. Since 2015, her company has executive produced 72 short films by young people for Screen South Ignition Random Acts Network, supported by Arts Council England and Channel 4.
Malinda Wink
Global Director of Good Pitch
Malinda Wink was Executive Director of Good Pitch Australia and Shark Island Institute from 2013-2019. She also currently serves as Deputy Chair of The Caledonia Foundation and Board of The Reichstein Foundation.
Malinda’s professional experience spans senior roles within the corporate, political, philanthropic and NGO sectors. Malinda has been the recipient of a number of scholarships including the Jeanne Sauvé Fellowship at McGill University (2006-2007), and most recently, the Erasmus Mundus Scholarship from the European Commission (2010-2012) where she completed a double Masters in Public Policy & International Development (Democracy and Governance) with distinction.
Malinda has advised on business and strategic planning for a number of production and distribution companies including Madman, Hopscotch, Transmission, and Revlover. She has served as a mentor for pitch and impact workshops including Sundance Institute Documentary Film Program, GP South East Asia, GP Miami, GP Colombia, Dokumenter Yogyakarta, an impact consultant at the International Documentary Film Festival, Amsterdam (IDFA), on the jury of Festival International du Film documentaire Océanien (FIFO), Hawaiian International Film Festival, Antenna and Environment Film Festivals, and a number of advisory boards including the Social Enterprise World Forum and AIDC.
Malinda is Executive Producer of a number of projects including The Final Quarter and 2040: The Regeneration.
In 2016 Malinda was recognised as one of the Australian Financial Review's 100 Women of Influence.
In 2018 Malinda delivered a TEDx talk on the role that social impact documentary and campaigns can serve as a tool to strengthen democracy.
Nicole van Schaik
Director of Development
nicole@docsociety.org
Nicole strategises with filmmakers and impact producers on how they can use their films as a strategic tool for social or environmental change. She also brokers new and exciting partnerships with organisations from across civil society, including: foundations, philanthropists, NGOs, brands, policymakers, activists, technology innovators, and media for the global Good Pitch programme, and Doc Society as a whole. She is proud to be part of the 2017 Rockwood JustFilms Fellowship. Before joining the foundation, Nicole worked as a television journalist for broadcasters, including RTL News and Al Jazeera. She finished her MA in International Journalism in Cardiff in 2008, and has previously lived in The Netherlands, USA, South Africa, and Wales.
Oliver Rivers
Managing Director
oliver@docsociety.org
Oliver is Doc Society’s Managing Director. He is a trustee of three charities: Poetry London, the Legal Action Group, and the Britten Pears Foundation. He has an MBA from London Business School, but he did his first degree at the Royal College of Music, and music remains one of his great passions. In his not very extensive spare time he can usually be found at the Wigmore Hall.
Sandra Whipham
Foundation Director
sandra@docsociety.org
Sandra, who joined Doc Society as its fourth Director in January 2012, exec produces films across the slate and leads on the Bertha Doc Society Connect Fund. She also oversees Doc Academy.
Previously, Sandra was a producer through her own company where she produced and executive produced a range of documentary film and television including multi award-winning Enemies of the People (dir. Thet Sambath/Rob Lemkin). From 2007-9 Sandra was Editor at More 4, and commissioned the True Stories international documentary strand.
Lana Ottley
Production Coordinator
lana@docsociety.org
Lana works in the New York office as the Production Coordinator, assisting with the organisation and support of US and New York events. Lana is a grantee of the Brooklyn Arts Council and Citizens Committee for New York City on behalf of The Lit Exhibit, an independent literary program which she hosts annually. Her background in storytelling has broadened from a literary focus to include community engagement and event production around documentary and immersive media. She is interested in language, interactivity, and art as a means of play, archiving, and catalysing social change. Prior to working at Doc Society, she worked in development and programming at American Documentary, and is currently also a part-time Event Manager at Union Docs.
Maxyne Franklin
Foundation Director
maxyne@docsociety.org
Maxyne is one of the founding Directors of Doc Society and shares responsibility for overseeing the film funding programmes. She also sits on the selection committee for the Good Pitch events and oversees the annual DOC Impact Awards; celebrating the films that have made the greatest impact on society.
For Doc Society, Maxyne has been lucky enough to executive produce a number of award-winning films including Virunga, All These Sleepless Nights, Hooligan Sparrow, The Possibilities are Endless, The Square, Pussy Riot, Hell & Back Again, Ping Pong and Afghan Star.
As of 2015 Maxyne relocated to New York to head up the US office, BRITDOC Inc. Since there she has been deepening relationships with partners and working with our talented collective of US based filmmakers.
Patricia Finneran
Director of Development and Partnerships
Patricia is founder of Story Matters; working at the intersection of storytelling and social change. It creates collaborative and viable projects with funders, corporations, nonprofits and filmmakers that advance positive social impact. Clients include Kering, Hot Docs, Harmony Institute and campaigns for Bully, How To Survive A Plague, The Revolutionary Optimists and strategy for the media platform Map Your World. She has previously held senior positions at Sundance Institute Documentary Film Program, AFI as Director of SILVERDOCS, and IFP New York. She works with Doc Society in support of Good Pitch to serve filmmakers and improve opportunities for the documentary community.
Shannon Thomas
Program Operations Manager
shannon@docsociety.org
Shannon Thomas is Doc Society's Program Operations Manager covering all things from film funds to Good Pitch. Before Doc Society, Shannon worked with the Brooklyn Arts Council, KentPresents Ideas Festival, and the Fisher Center for the Performing Arts. She is a graduate of Bard College and holds a Masters in Arts Administration & Cultural Policy from Goldsmiths.
James Franklin
Creative Director
james@docsociety.org
James looks after design at Doc Society as well as the websites for all the Doc Society brands and programmes, starting with the first website back in 2006. With 20 years experience in design and the web, James previously ran a design agency in London for 7 years. Currently he is also founder of the web-based film-marketing system Assemble.me and has produced the design behind many of Doc Society’s films.
Jo Harding
Doc Academy Consultant
jo@docsociety.org
As Doc Academy’s Manager Jo leads our Education programme, from shaping it’s strategic development to co-creating new curriculum & film content. Jo is passionate about long-term social change through education.
Jo joined Doc Society in 2015 with over 10 years experience of delivering schools and youth programmes and campaigns. Working in West Africa for Raleigh International, in east and south London’s most deprived schools delivering The Prince’s Trust’s schools based programme and over 6 years at Comic Relief project managing the delivery of their schools and youth campaigns and leading the partnership strategy for those audiences.
Katie Speight
Editorial Consultant
katie@docsociety.org
Katie has been working for Doc Society as an Editorial Consultant for the past 9 years across the various film funds. Previously, Katie had been working at Channel 4, where in 2004 she became Deputy Commissioning Editor Documentaries working on features such as Sisters In Law and Aileen Wuornos and Hamburg Cell, as well as high profile series such as The Last Peasants and Jamie's School Dinners. Katie was also responsible for acquiring the very best of international feature documentaries.
In 2005 Katie moved to More4 as part of the launch team for Channel 4's upmarket sister channel, becoming Commissioning Editor for More4. As well as helping to shape the schedule and the channel’s overall editorial development she re-launched the critically acclaimed True Stories strand - showcasing the best of domestic and international feature documentaries.
Lindsay Guetschow
Doc Academy Consultant
lindsay@docsociety.org
Lindsay Guetschow is an established Impact Producer with over 13 years of experience building campaigns that drive meaningful and measurable change. Most recently, she served as Film Campaign Director at Malala Fund where she developed the strategy and ran the global Stand #withMalala campaign using He Named Me Malala to advance the movement for girls’ secondary education. Engaging over 1.3 million young people in screenings and campaign programs around the world, Stand #withMalala has helped shift policy in Nigeria and Pakistan, raised over $3M to support Malala Fund programs in developing countries and trained close to 1000 girls in advocacy and leadership in Pakistan, Afghanistan, Nigeria, India and Kenya.
She previously served as Sr. Director, Marketing and Strategic Alliances at Participant Media where she established partnerships with hundreds of nonprofits, foundations, and good corporate citizens to support impact campaigns. Lindsay has worked as a Social Impact Agent at Propper Daley, launched the Cool Globes public art exhibit in Los Angeles and helped build the Stop Global Warming Virtual March with Senator John McCain, Robert F. Kennedy Jr. and Producer Laurie David. During her tenure at StopGlobalWarming.org, Lindsay did outreach and engagement for the impact campaign supporting An Inconvenient Truth.
Lynn Nwokorie
Editorial & Programming Consultant
lynn@docsociety.org
Starting out in production for feature film, commercials and museum projects in both the US and UK, Lynn has since worked across exhibition and distribution for various national festivals and organisations including the BFI London Film Festival, Sheffield Doc/Fest, the British Film Institute and the Independent Cinema Office. The last three years has seen a focus on cultural programming and increased access of independent film to national audiences, with now a concerted focus on cultivating socially impactful documentary filmmaking.
Mike Lindsay
Artistic Director for Live Events
mike@swooshed.co.uk
Mike and his team from Swooshed Event Production have been working with us since our first ever Britdoc event back in 2006. His event knowledge, experience and creative theatre background combines to help us produce our quality events all over the world looking after all the staging, technical and audio visual aspects of the show.
Prash Naik
Doc Society Legal Counsel
Many of the Doc Society team were lucky enough to work with Prash Naik at Channel 4 and we are over the moon to be reunited in the defence of brave and bold independent storytellers. Prash is the outgoing General Counsel at Channel 4, where over 23 years he built an impressive reputation for defending free speech, making every storm seem like it was only in a tea cup and sporting an array of very well chosen cashmere sweaters. Congrats to him for winning In-House Lawyer of the Year at the prestigious Lawyer Awards earlier this year. Prash is relocating to Sydney, Australia in October but will continue to advise film-makers across both sides of the world. We beat a very fast path to his door, and are delighted to have secured a slice of his time to be our General Counsel and advise us on our film slate and also the Safe and Secure project, aimed at lowering the legal, physical, psychological and reputational risks taken by independent filmmakers.
Sara Rafsky
Safe + Secure Executive
sara@docsociety.org
Sara is a researcher at the MIT Open Documentary Lab, where she writes about new forms of documentary storytelling, and an MS candidate in Comparative Media Studies at MIT. Sara was previously a Google News Lab Fellow at Witness in New York and the Researcher on Central America at Amnesty International in Mexico City. Prior to that she was the Americas Research Associate for the Committee to Protect Journalists, where she reported on press freedom and human rights issues in the US and Latin America. Sara has written about culture and politics as a freelance journalist in New York, South America and Southeast Asia. In 2008, she received a Fulbright Grant to research photojournalism and the Colombian armed conflict. She has served as a screener for documentary film festivals and has written widely about documentary film. She has a bachelor’s degree from Georgetown University and is from Brooklyn, New York.
Stu Tily
Technical Director
stu@docsociety.org
Originally from London and now based in Olomouc in the Czech Republic.
Stu looks after the technology for all of Doc Society’s websites.
Anna Bateson
Non-executive Board Member
Anna is the Guardian’s first Chief customer officer taking responsibility for all reader revenue streams including publishing, subscriptions, membership, live events, ecommerce and marketing. Prior to The Guardian where she has been for 3 years, Anna has worked extensively in digital media and marketing, including Google and YouTube where she ran global consumer marketing for 4 years. Previously, Anna was director of viewer marketing at ITV, where she was responsible for all programme and channel brand communication on and off air. Before ITV Anna ran marketing at MTV Networks UK, Artsworld, and Bloomberg.
She also sits on the board of the Scottish Ballet.
Mandy Chang
Non-executive Board Member
Mandy is commissioning editor of ‘Storyville’ and acquisitions at the BBC and has previously worked for the Australian Broadcasting Corporation as head of arts. Before this, Mandy worked as a documentary filmmaker, writer, series producer and executive producer. Her feature documentary, The Mona Lisa Curse for Channel 4, won an Emmy, a Grierson, the Rose D’Or and the Banff Grand Jury Prize.
Mark Cridge
Non-executive Board Member
Mark Cridge is Chief Executive of mySociety, a UK based social enterprise, who build and popularise digital services that help citizens hold power to account. mySociety's services are used by over 10 million people in 40 countries worldwide including the popular UK sites FixMyStreet.com, TheyWorkForYou.com and WhatDoTheyKnow.com.
Prior to mySociety, Mark enjoyed a diverse 20-year digital career including stints as COO at BERG, the Internet of Things design consultancy, and as a senior advisor at political campaigners Blue State Digital in London.
Originally studying Architecture at Strathclyde University, he got his commercial start in 1996 working for a small web design agency in Birmingham before setting up glue London, the UK's first digital advertising agency in 1999, going on to become global managing director of Isobar, following glue’s acquisition in 2005.
Paul van Zyl
Non-executive Board Member
Paul is co-founder of The Conduit Club in London, and co-founder of the International Center for Transitional Justice. Paul grew up in South Africa in the apartheid era and acted as Executive Secretary of South Africa’s post-apartheid Truth and Reconciliation Commission. Paul’s work focuses on projects at the intersection between social, human rights and media.
Rob Berkeley
Non-executive Board Member
Award-winning busybody, recovering academic and reformed social reformer, Rob is Lead Organiser of BlkOutUK.com, a community-owned media platform, workspace and collaboration hub for and by Black bi/gay/trans men. He recently completed a stint advising the BBC on accountability and audience engagement. Impatient with injustice and exasperated by wasted potential, he volunteers on the boards of the Baring Foundation, and Doc Society, has previously served on the boards of LGBT rights charity Stonewall, the Equality and Diversity Forum, and been Chair of sexual health organisation, Naz Project (NPL). He was Exec Director of the racial justice think-tank Runnymede Trust (2009-14). Continuing his academic writing on education, social justice and community organising, he was recently appointed Simon Industrial Fellow at the University of Manchester. He has lectured across the UK and beyond, and written for national newspapers on social justice and movement-building. His current fixation on new forms of community ownership, co-production, AI and digital tech and their potential for social justice means that he spends a lot of time on his phone and calls it ‘research’. Dr Berkeley was awarded an MBE in 2015 for services to equality.
Ruby Chen
Non-executive Board Member
Ruby Chen is co-founder and CEO of CNEX in China. Ruby is the executive producer for almost 90 documentaries, and Executive supervisor of Chinese Image Visual Industry and Creation Society. She is also a member of The Academy of Motion Picture Arts and Sciences (AMPAS).
Sameer Padania
Non-executive Board Member
Sameer runs Macroscope London, an independent consultancy supporting new strategies in public-interest journalism, human rights & philanthropy. A former Open Society grantmaker and failed documentary maker, he has worked and consulted since 2001 for leading organisations in these fields on a wide range of journalism, digital media, activism, policy and funding initiatives around the world. His most recent publication, for the Ariadne Network, was An Introduction to Funding Journalism & Media. He is on the Advisory Board of First Draft and had been a trustee of 360Giving.
Tony Tabatznik
Non-executive Board Member
Tony is an entrepreneur and committed philanthropist. He is a member of BRITDOC and is the visionary behind Bertha Foundation whose mission is to create more progressive and just societies with work in three main areas: Media, Human Rights Law and Activist Training.
Angela Seay
Chair of the Board
As Chair of Doc Society Charitable Trust, Angela brings years of experience in nonprofits in Europe and North America, with a focus on US public policy, UK grant-making institutions and NGOs. Angela worked in policy development, strategic planning and legislation for the US Centers for Disease Control and the National Highway Traffic Safety Administration. In the UK, she has directed a grantmaking foundation, serves as a foundation board chair, consults on charity policy/strategy and governance, and has various other board roles including UNA-UK. In addition, she is actively involved with the Environmental Funders Network and Ariadne.
Ed served as Minister of State at the Department for Culture, Media and Sport and the Department for Business, Innovation and Skills, with responsibility for digital industries from July 2014 until July 2016. Previously he served as Parliamentary Under Secretary of State for Culture, Communications and Creative Industries from May 2010 until July 2014. Ed was elected as the MP for Wantage in 2005.
Natalie is Executive Director of the United Nations Association – UK. She works on the Association's strategy and policy positioning, and provides analysis on international relations and institutions, and leads the UNA-UK team in its campaigning, advocacy, outreach, fundraising and education activities. Natalie is a trustee of the Association for Citizenship Teaching, a member of the Executive Committee of the World Federation of UNAs, a member of the Steering Committee for the International Coalition for the Responsibility to Protect and an advisor to the Board of the Sri Lanka Campaign. In 2013, she co-founded the 1 for 7 Billion campaign, which seeks a fair, open and inclusive process to select the UN Secretary-General. She has degrees in human rights and modern history from the University of Oxford and the London School of Economics.
Stephan is the inaugural director of the Marshall Institute at LSE. He is also Professor in Practice at the Department of Management at LSE and Course Director for the new Executive Masters in Social Business and Entrepreneurship. From 2000 to 2014 he directed the University of Oxford’s MBA and was the founding Director of Oxford University's Executive MBA programme. Before joining the Marshall Institute Stephan Chambers was the Co-Founder of the Skoll World Forum, Chair of the Skoll Centre for Social Entrepreneurship and Director of International Strategy at Saїd Business School, Oxford University. He is a Senior Research Fellow at Lincoln College, Oxford.
William is an entrepreneur and philanthropist with a distinguished record of support for the arts and literature. In 1992, he founded the Forward Prizes for Poetry and in 1994, National Poetry Day. Since September 2015, he has been chairman of the Board of Trustees at Somerset House.For many years he was a member of the Arts Council and Chairman of its Lottery Committee. He is currently Chairman of the Arts Foundation and StreetSmart, a charity supporting the homeless through donations from restaurant diners each Christmas. William is the founder and Chairman of Forward Thinking and a trustee of the Esmee Fairbairn Foundation. William is a published author and a regular broadcaster. His most recent book is Winning Words, an inspirational poetry anthology published by Faber and Faber.
William chaired and authored ‘An Independent Review of E-Lending in Public Libraries in England’ published by Department of Culture, Media and Sport, 2013 and was subsequently commissioned to report on Public Library services in England. The ‘Independent Library report for England’ was published by DCMS in Dec 2014.
Anurima Bhargava
Chair of the Board
Anurima is a Fellow at the Institute of Politics at Harvard University. From 2010-2016, she served as the Chief of the Educational Opportunities Section of the Civil Rights Division at the U.S. Department of Justice. Prior to joining the DOJ in 2010, Anurima served as the Director of the Education Practice at the NAACP Legal Defense Fund. Anurima earned her law degree from Columbia Law School and graduated magna cum laude from Harvard College. She is a member of the Council on Foreign Relations; a Truman National Security Fellow; produced and regularly consults on films; and has both chaired and served on numerous boards. She was born and raised on the south side of Chicago.
Heather is a Vice President in the San Francisco office of Rockefeller Philanthropy Advisors and leads the organization’s strategy and program development in global philanthropy and systems change. Heather advises funders from the US and other countries on philanthropic strategy. Her approach has been shaped in by two decades of living in Asia, Africa, and the Middle East, managing long-term development and humanitarian programs. As Vice President at the Rockefeller Foundation she oversaw portfolios including climate change, health, and employment. She serves on the boards of the Dropbox Foundation, Business and Human Rights Resource Centre, Forum for the Future, the Wildlife Justice Commission, and Doc Society.
Katharine Wilkinson
Board Member
Dr. Katharine Wilkinson is an author, strategist, and teacher, working to heal the planet we call home. She is Vice President of Communication & Engagement at the nonprofit Project Drawdown and was the Senior Writer of Drawdown — the New York Times bestseller on climate solutions. Known for her work at the intersection of climate, gender equality, and women’s leadership, Katharine’s TED Talk on the topic has more than 1.5 million views. In 2019, TIME featured her as one of 15 “women who will save the world.” The Boston Globe dubbed her first book, Between God & Green, “a vitally important, even subversive, story” for its exploration of climate change and evangelical Christianity. Katharine speaks, moderates, and facilitates across diverse forums, including National Geographic, Skoll World Forum, and the United Nations. She holds a doctorate in Geography & Environment from Oxford, where she was a Rhodes Scholar, and resides in Atlanta, Georgia.
Twiggy Pucci Garcon
Board Member
As an activist, advocate, and healer, Twiggy has collaborated with artists, filmmakers, academics and policymakers to increase visibility of both creative and sociopolitical agendas. Twiggy served at FACES NY, Inc. as a Recruitment Specialist, Senior Community Health Specialist, and more recently a Program Development Specialist and Community Organizer. With over 10 years of experience in the field of general and specialized health education and direct services, she has extensive knowledge of the needs of the LGBTQ youth population and how to foster relationships with organizations that offer effective quality services.
In their current role as Program Director at the True Colors Fund, Twiggy leads their Youth Collaboration programs and True Impact Summit, aimed at not only elevating youth voices but also creating space for partnerships with young adults to lead the movement to end youth homelessness.
In addition to her activism and advocacy work, Twiggy has worked as a model & runway trainer, performance artist, and special events & talent management coordinator. She and her work have been featured in major media publications and media outlets such as OUT Magazine, PAPER Magazine, NY Mag, The Huffington Post, The METRO Weekly, and The Advocate among others. Twiggy was also a featured subject in Timothy Greenfield-Sanders’ and HBO’s documentary feature film, The OUT List and is the co-writer and one of seven subjects in the Sundance-selected, award-winning documentary, KIKI. Twiggy serves as a consultant and choreographer on Ryan Murphy’s hit FX series, POSE. She is also a consulting programmer for Outfest, Newfest, and Outfest Fusion, the Overall Overseer for the Legendary International House of Comme Des Garcon, and the Chief Ambassador for the Center for Black Equity. Twiggy’s continued mission is to elevate the authentic representation of the House|Ballroom Community worldwide.
Vincent is the Executive Director of the Center for Constitutional Rights. He oversees CCR's litigation and advocacy work, which includes using international and domestic law to hold corporations and government officials accountable for human rights abuses; challenging racial, gender and LGBT injustice; and combating the illegal detention at Guantanamo, rendition, and torture.
Prior to his tenure at CCR, Vince was a national senior staff attorney with the American Civil Liberties Union, where he litigated civil rights cases, focusing on affirmative action, racial profiling, and criminal justice reform. Vince was also involved in monitoring South Africa's historic Truth and Reconciliation Commission hearings, and worked as a criminal defense attorney for the Legal Aid Society in Brooklyn. He is a graduate of Haverford College and Rutgers School of Law.
We are free to choose who we work with and how we do it. This independence means we always uphold creative, journalistic and personal integrity.
We don’t interfere with the creative process, we support it. We are the friend of the filmmaker and the film always comes first.
We have seen the greatest impact through collaboration. As such, we share what we learn and create best practice with our partners.
We are consciously and constantly evolving – because tomorrow needs new ideas. For us, problems are an opportunity for change.
We take documentaries seriously, but not ourselves.
We love what we do and we want to work with people who feel the same way.
